An all-electric-instrument interpretation of the famous keyboard concerto by J. S. Bach.
Created using MuseScore.
The modern tuning A = 440 Hz is used.
An all-electric-instrument interpretation of the famous keyboard concerto by J. S. Bach.
Created using MuseScore.
The modern tuning A = 440 Hz is used.
Created using MuseScore.
Caveat: This MP3 is tuned with the Baroque tuning, i.e, A = 415Hz.
The music sheet is in https://imslp.org/wiki/.
This is a harpsichord version of BWV 1043 “Concerto for two violins” https://mathmusic52.com/2022/12/23/bwv-1043-j-s-bach-concerto-for-two-violins-in-d-minor%e3%80%80/. Upon transcription, J. S. Bach changed the key from D minor to C minor, in order to negotiate with the sound range of the harpsichord of his days.
Created using MuseScore.
Caveat: This MP3 file is tuned with the Baroque tuning, i.e., A = 415 Hz.
The music sheet is in https://imslp.org/wiki
Created using MuseScore.
Caveat: This MP3 is tuned with the Baroque tuning, i.e, A = 415Hz.
The music sheet is in https://imslp.org/wiki/.
There is an argument that this work is a transcription, by the composer himself, of a lost concerto for violin and oboe d’amore (or for two violins.) Those who argue have made up (in their own words “re-constructed”) BWV 1060R as “the re-incarnation of the lost one”. However, as Ton Koopman remarked, the “remaining” harpsichord version sounds more convincing.